BBC RADIO LONDON
WITH JUMOKE FASHOLA
3.10.2020
TOYAH: Thank you Jumoke. I have not been up this early in a while. I'm a concert singer like you. Mornings are very very strange places (laughs)
JUMOKE: I did think that, you know! I said "Toyah! This time of the morning?!" I was like "she must be enthusiastic about this!"
TOYAH: Of course I am! Absolutely. But I'm used to going to bed six in the morning. I'm usually driving back from Glasgow or I'm driving back from Penzance. Always on the road so this is fabulous! And I live in a market town and I'm looking out onto the street and it's completely quiet. It's rather beautiful
JUMOKE: How lovely! Thank goodness you know how to drive because this is all about a drive-in
TOYAH: It is for me really important because from about the beginning of April live performers – and I'm very much ... 99% … my living is as a live performer and a live musician – all our incomes stopped. And when you think about the technicians who put up all the stages, who do all the sound, they carry all the equipment … These technicians have not had any financial support for six months now. So the whole reason that Deezer is doing this 80's drive-in is to raise funds for live musicians, mainly the technical team.
The drive-in is going to be beautiful. Everything is going to be priced at 80's prices. The ticket is only £15, but you'll get a burger and a drink for 70p. And we want everyone to dress up, come with an 80's spirit. I call it a big warm 80's hug. This is the decade of showing off, exuberance, of big brash music and there will be wonderful concerts on the screen by David Bowie, Stevie Nicks, Madonna and Prince. I mean could that be any better? And I believe I'm singing too
JUMOKE: Oh are you?! What a wonderful treat! It must be lovely actually to be able to go out and do that after all this time?
TOYAH: It's phenomenal to be able to sing live. I don't know about you Jumoke … In my house I have a green screen studio that connects me to the world … I have recording facilities so I've been recording in New York, I've been in LA – from my home. So I've had six months of super creativity and super worry about everyone's health but it's all been from the one address. So to actually get out there and see and hear a live audience is such a privilege
TOYAH: It was magical because back then everything was on a such a quick ascension to do with technology. I had my first hit in '81 although I was really super successful as an album artist from '78. So '81 MTV launches in August and that changed the world because not only were we singers – we had to make videos so we became very visual artists.
And what I remember about the 80's apart from playing in the stadiums and festivals to 200 000 people was that we had to create these really powerful looks that people would remember and for me it was big hair, very dramatic clothes.
I always came on as a warrior woman looking far larger than life. And I remember the 80's as being very warm and very inclusive of the audience but of course when we got the 90's everyone remembered the 80's because of Margaret Thatcher and I think now we can forget the associated politics of the time and just hear the music. I have so many young fans under the age of 25 who contact me all the time saying “we've just discovered you! Oh wow!” And it's all new to this generation which is so rewarding
TOYAH: It was very important to me as one of the rare females in the industry back then and you didn't have female executives in the industry in the UK back then – you did in the USA and it's a really important factor that women were involved in the industry so here I was, barely five foot tall, I didn't look like a supermodel – I had to make my mark.
So I did by working with really wonderful arts students – a phenomenal woman called Melissa Caplan handmade all my clothes as she did for Bananarama and Spandau Ballet as well and Steve Strange of Visage. She hand painted everything so we were very very striking (below).
All of our hair was never natural colour, mine was always orange so I had a lot of say in it – it meant a lot to me that I lifted that glass ceiling for women who didn't look like supermodels and said it doesn't matter what shape or size you are … If you've got an idea, that's what counts, it's your voice that counts and that was really really effective. I got about 10 000 letters a week off young girls saying "thank you, I never had confidence in myself and you've given me confidence." So that was really important to me then and it's really important to me today
TOYAH: Well, that's a really interesting question because who is driving that? Because when you look at the really big women, the über triple A-list women - I think to some extent it's their choice and then when you look at the kind of natural level of social media … that's where the problem is because young girls think that is a normality and it isn't a normality.
I think a normality comes from the beauty within and when you've got a young girl who has a phenomenal voice, phenomenal talent – that's all that counts. That's all that matters – is that that talent gets to the stage, that that talent gets nurtured, that a career gets nurtured and both you and I know this. We need those people that nurture and move us forward and support us so we can be artists.
So I would say there's a huge division between the A-listers and the young generation coming up because I think it's unrealistic to put the body beautiful before the talent. I just don't think it's right. And you've got such talent in this country and around the world so the more the industry and the executives in the industry can help the talent the better is what I say.
If you were to ask me why am I still here is because I've always driven my talent and I've slightly laughed at my physicality. And the way I say that – I'm very quirky, I'm very off-the-wall, this drive-in on Wednesday I'm going to be in full costume. It's a costume (below) you either find amusing or incredibly beautiful
TOYAH: You just hit the nail on the head. It's individuality. And that for me – I'm 62 … I remember the 60's very very well. The 70's incredibly well … it was the incredible individuality of the artists. It seemed to come before the music to a certain extent.
I think individuality opens many doors for younger generations – to just step through that door and be brave enough and put their hand up and say “I have a voice”. I think individuality is pretty glorious thing and it's not always to do with body shape or really selling your agenda. I think it's selling your ideas so I totally totally get that. Individuality.
JUMOKE: Alright - so it's this coming Wednesday, the 7th of October, it's part of National Album Day -
TOYAH: And I'm a National Album Day ambassador -
JUMOKE: Oh, fantastic!
TOYAH: And we're celebrating on the 10th of October artists' albums rather than single songs. Complete works. So with the drive-in London – it's all to help the technicians within the music industry who are unable to earn a living
JUMOKE: It's been a joy Toyah, thank you so much for joining us this morning. The legend that is Toyah Willcox! I was really inspired by that conversation. Thank you Toyah, for sharing your memories of the 80's
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